An external HDD will help, but you can still record without one. You also need to consider the operating system. Personally, I have found that Mac computers are far more reliable and stable when working with audio.
Once you have your computer ready, you will also need to download a home recording studio software before you can get started. Image courtesy of Wikimedia. Most people chose to use a USB audio interface. This piece of home recording studio equipment allows you to connect the microphone, speakers and headphones to your computer. If you need more channels, you will need a larger interface.
Eventually you might also want to upgrade to something with better preamps and converters, like the Apollo Twin or Apogee Duet. Start off with a cardioid large diaphragm condenser microphone for your studio. You want to give preference to cardioid microphones when recording at home. They reject sound from the rear, so are useful for less-than-perfect rooms. This mic type sounds great on vocals, acoustic guitars and other acoustic sources.
When recommending a good microphone for recording, my preference is the sE Electronics sEa. Here is my full review:. Then, if you want to add another microphone to your arsenal, I recommend purchasing a cardioid dynamic microphone. You want things to last.
Closed-back headphones are for monitoring when recording or mixing on the fly in public places. For your first pair, go for closed-back headphones. You can still mix on them just remember to mix at a low volume and use a reference track. These speakers have a flat response, so you hear the mix as it really is. Normal hi-fi speakers color the sound — not good. Learn how they sound. You need to be careful how you set your monitors up — we are going to look into this in much more depth later in this guide. If you start recording lots of music, you are going to run out of hard drive space pretty quickly.
Now we can move onto recording studio design. But choosing the right room, setting it up properly and adding some affordable acoustic treatment will make your job 10X easier.
I can remember the first time I re-organized my room and added acoustic treatment. It was a breakthrough for me. Suddenly I could hear every detail of the mix, every subtle EQ move and all of the low end. Do your best, and then learn to mix with what you have. The bigger the room, the better.
Plus, that means more space for recording and possibly a drum kit. Wooden floors are desirable as carpet only absorbs high frequencies, which can make the room sound muffled. When you record vocals, for example, a strong reflection from the ceiling can cause comb filtering — which is very bad. Quite often you will only have one room available to you. Or maybe you have a temporary setup in a bedroom or living room.
Before you consider acoustic treatment, you need to make sure organize your room in the right way. The main thing to consider when designing the layout of your room is the position of the speakers. Many monitor speakers have bass ports on the back. In fact, sometimes it can even be detrimental.
The reflection from the wall can cause more issues than the bass buildup that comes from having your speakers near a wall. Position your speakers the minimum distance from the wall according to the manual. Then, if you can, reduce the bass on your speakers. If the speakers are the same distance from the wall behind them the front wall as the side walls, move them. This can result in a buildup of standing waves. In turn, this causes some low end frequencies to appear a lot louder than they are. Your aim here is to reduce the volume of the first reflections from the speakers into your ears.
Strong reflections from can cause comb filtering and a range of other issues.
English Choose a language for shopping. Think of a wall as a giant speaker. Let me break that down… You want to give preference to cardioid microphones when recording at home. Most musicians will admit to sharing a single core skill necessary for mastering their instrument: Amazon Restaurants Food delivery from local restaurants.
These come from the nearest walls to the left and right of the speakers. By positioning the speakers along the longest wall, you are moving that reflection point further away from the speakers. This reduces their volume, as they must now travel further before reaching your ears. Add color, add more color and enjoy the process of your artistic creativity! Become a Writer Today: Yes, You Can Write! Want to become a successful writer or author?
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Sanctuary Publishing May 4, Language: Related Video Shorts 0 Upload your video. Try the Kindle edition and experience these great reading features: Share your thoughts with other customers. Write a customer review. There was a problem filtering reviews right now. Please try again later. This small introductory basic book is big on sound and practical advice. It's possible to spend a lot of money setting up a home studio, and given the inherent limitations of typical residential spaces much of this can be wasted by applying out of context theory.
Talk about a return on investment!
Notice I've already used the word "basic" twice in this short review. That's what this book is, and it doesn't pretend to be anything else. The approach that author Paul White advocates is simple, down to earth, practical, and yes, basic. If you're looking for a comprehensive and fully authoritative tome, look elsewhere. This is a primer which will get you started in the right direction, and may well be all you ever need. Kindle Edition Verified Purchase. One person found this helpful 2 people found this helpful. This was a good resource to understand the need to soundproof any room intended for recording.
Being that most home studios are not at professional level, this book gives good ideas on how to get the most out of any room for whatever your recording needs may be. One person found this helpful. I'm busy, man, so are you - you are a project musician trying to build a project studio, probably wondering to yourself how in the world owens corning can be so difficult to find People tend to criticize this book because it's too small and basic.
It's priced accordingly and the title clearly says "Basic". That aside, the information is as clear and concise and no-nonsense as you can get for this subject.
I've read several more "complete" and technical books on the subject, and it was only until I read this book that things actually came into perspective. Believe me, there is no better book to get a clear overview on how to build a small, efficient studio. After that, and armed with foreknowlege, you can get the technical stuff. This is a good book for someone who knows nothing about soundproofing, the lingo to go along with it, and acoustics. It is a very fast read and provides a glossary with quite a few terms.
There is also a section on studio wiring that is simply there for some reason or another. This is a very beginner book but does what its name suggests: It is unlikely for someone to get confused with this book. It will simply get one affiliated with the terms and common outlook of acoustics and soundproofing. I recommend this for all beginners. Not enough graphics, seems to talk from theory not experience, huge glossary but no UK-US terms translation, missing detail drawings when describing soundproofing assemblies - one nail or screw in the wrong place and it will not work.
Some concepts are plain wrong or badly described.
This book is nothing like I expected. It's more about actually building a studio in your home as opposed to modifying things to coexist with a studio.