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Would you like to Want to save more? Log in to see if you qualify for a lower rate. Are you sure you want to report this review as abusive? The review has been flagged as inappropriate and will be checked by our staff. Back to Product Detail. Thanks for telling us about the problem. Return to Book Page. A darkly comic fable of brotherly love and family identity is Suzan-Lori Parks latest riff on the way we are defined by history.
The play tells the story of Lincoln and Booth, two brothers whose names were given to them as a joke, foretelling a lifetime of sibling rivalry and resentment. Haunted by the past, the brothers are forced to confront the shattering reality of the A darkly comic fable of brotherly love and family identity is Suzan-Lori Parks latest riff on the way we are defined by history. Haunted by the past, the brothers are forced to confront the shattering reality of their future. Paperback , pages. Published June 1st by Theatre Communications Group.
Pulitzer Prize for Drama To see what your friends thought of this book, please sign up. Is this appropriate for a mature but sensitive 13 year old boy?
Lists with This Book. Nov 21, Brina rated it liked it Shelves: In what will be an abbreviated review during this holiday week, I thought that Parks was gutsy in her writing, which ended up earning her accolades. I am sure the acting on stage starring Don Cheadle and Jeremy Wright was even better than the script, which I rated 3. The acting most likely would have earned this another half star at least. Here is what I have gleaned from the script: They are caught in a cycle of poverty and scrape to get by, either in legal or illegal jobs.
This continues to be a hot button issue and one which Parks so eloquently addresses on stage. Lincoln works at an arcade dressed as Abe Lincoln all the while inquiring into other and better legitimate means of employment. Booth shoplifts, cons Lincoln out of his paycheck, acts as a card shark, and sweet talks the women on his block. While these means of either saving or gaining a few bucks are only illegal until one gets caught, they speak to Booth's less than stellar character. It was intriguing for me to see what an African American woman thinks of these issues and how she chose to address them in her script bluntly offending people and still getting her point across.
Both Lincoln and Booth quit school at ages 16 and 13 and neither could obtain decent jobs. Neither brother had a positive role model encouraging them to further their education, and, fending for themselves in a broken home, they both turned to life on the streets. At the same time it is courageous to show the less than stellar English spoken by people with less than a twelfth grade compulsory education. As I read through scripts, I notice that a play has to have a lot of action or a well rounded cast of characters for me to be moved by it in written form.
These plays are top quality and deserving of the awards that they receive yet are most likely that much better on stage. I have also found Suzan-Lori Parks as an ambitious writer and do look forward to reading more of her work. May 27, Alex Cunningham rated it it was amazing Recommends it for: The literary establishment rightly has buried this play with praise, none of it able to bear weight once you've read or seen this play.
The words are electric. The subtext is playfully obvious and rife with tension. The requisite "bucking of literary conventions" turns out to be a miraculous way to depict rhythm on the page. Lori-Parks knocks this one right out of the stadium and into your lap. Don Cheadle premiered the role of Pulitzer Prize? Now that you've got those images in your head, I dare you to try and imagine anyone better for the roles. Sep 19, Francisco Cardona rated it it was amazing.
I saw this play some years ago when the A. I remember enjoying the rhythm of the language that carried the play.
Editorial Reviews. About the Author. One of the contemporary American theater's most innovative wordsmiths. Her plays include: Topdog/Underdog ( Find helpful customer reviews and review ratings for Topdog/Underdog (TCG Edition) at domaine-solitude.com Read honest and unbiased product reviews from our.
But recently, I wanted to start searching for literature that was focused on how generations inform one another. Especially after Ferguson, where there arose two types of discourse about what happened. On the one hand, the events were being described as an isolated incident where someone broke the law that led to tragic consequences. On the other han I saw this play some years ago when the A. On the other hand, there was a history of police brutality that got tethered to the incident which made it part of a chain of a historical record of violence against the African-American community.
I remembered in the play there was a motif of inheritance that gets mentioned over and over and I wanted to see how that developed, so I went back and read the play over again and I was pleasantly surprised about how this play is trying to look at the ways African-Americans have been and informed about their history and how they construct their realities out of them. The two main characters, Booth and Lincoln, were named after their historical predecessors.
But by doing so, it tethers them to a particular history. Their father initially said it was a joke to name them like that, but it was grave joke that would have severe consequences. But there are other incidents where history informs how the brothers are living. Lincoln works in an amusement park portraying the historical Lincoln, but earning almost slave wages.
This almost suggests that freedom doesn't necessarily mean African-Americans have been better off. Both brothers are students of the 3 card monte, street gambling, trying to make a living, which implies a certain randomness to how African-Americans have succeeded. Some have, some haven't, but whose fault has it been? There is a certain randomness to it that can be paralleled to gambling. But the heart of the story is centered around Booth's "inheritance" which was given to him when their parents abandoned them.
Booth is reluctant to part with his "inheritance" and chooses to hustle and steal instead of spending it. It's almost as if saying that this has informed his life and he doesn't wish to relinquish it or build on it, but rather his inheritance is a burden for him that he can't escape.
I think this kind of burden is what leads to the tragic events at the end. He's doomed to repeat history because of his name, but also doomed because he can't change what he has inherited.
The whole play is about a hustle, and who is being hustled. But the important thing to figure out is, why they are hustling and why do they choose to hustle each other? I think you have to delve into what is informing their circumstance and I think that's the opening one could use to build a lens on how one generation can inform the other. Feb 21, Jeremy rated it it was ok.
One of the most over-rated plays I've ever seen or read. Jun 15, Joe Cross rated it really liked it. Dec 27, MacK rated it it was amazing Shelves: This year I put a little more focus on teaching dramatic literature, stuff that comes in script form. It's a lot easier for students to immerse themselves in a world where actions and words are all that matter and descriptions and imagery are minimal. I first read it when my brother Matt showed me just how powerful modern plays could be in comparison with the classics.
How honest and raw was this relation This year I put a little more focus on teaching dramatic literature, stuff that comes in script form. How honest and raw was this relationship between brothers, how brutal and frank was the need to prove yourself, to stand up and earn the respect of someone you cared about so much. Being brothers naturally made the play more real to me.
Currently Unavailable More details. Jun 15, Joe Cross rated it really liked it. Little Bastards in Springtime. Booth is the younger brother who dreams big dreams about himself, who wants to live bigger than he is living. To see what your friends thought of this book, please sign up. Booth is the younger brother who dreams big dreams about himself, who wants to live bigger than he The Pulitzer winner for drama. All day long, he is shot.
I don't have the experience of poverty that Lincoln and Booth the play's only characters do. Nor do I know what it's like to be so utterly devalued that your only viable career choice is to be a willing target at a penny arcade every day. I don't know how desperation can turn families against each other, nor do I know what I would do in their situation.