Ekstase - Verbotene Träume: Ein erotischer Roman (German Edition)

Called the heart of American show business, vaudeville was one of the most popular types of entertainment in North America for several decades, the origin of this term is obscure, but is often explained as being derived from the French expression voix de ville.

Ekstase - verbotene Träume

Ekstase - Verbotene Träume: Ein erotischer Roman (German Edition) eBook: Vicky Flame, Tine Mey: domaine-solitude.com: Kindle Store. Berlin, Germany. Seller: momox_uk ( Ekstase - Verbotene Träume: Ein erotischer Roman by Flame, Vicky | Book. Ekstase - Verbotene In individual cases, it can happen that a book deviates from the edition stated. Should this be the.

A second speculation is that it comes from the songs on satire by poet Olivier Basselin. Some, however, preferred the term variety to what manager Tony Pastor called its sissy. Thus, vaudeville was marketed as variety well into the 20th century, with its first subtle appearances within the early s, vaudeville was not initially a common form of entertainment.

The form gradually evolved from the saloon and variety hall into its mature form throughout the s and s. This more gentle form was known as Polite Vaudeville, in the years before the American Civil War, entertainment existed on a different scale. Certainly, variety theatre existed before in Europe and elsewhere, in the US, as early as the first decades of the 19th century, theatregoers could enjoy a performance consisting of Shakespeare plays, acrobatics, singing, dancing, and comedy. As the years progressed, people seeking diversified amusement found a number of ways to be entertained.

Vaudeville was characterized by traveling companies touring through cities and towns, a significant influence also came from Dutch minstrels and comedians. Vaudeville incorporated these various itinerant amusements into a stable, institutionalized form centered in Americas growing urban hubs, pastors experiment proved successful, and other managers soon followed suit. Keith took the step, starting in Boston.

Albee, adoptive grandfather of the Pulitzer Prize-winning playwright Edward Albee, circuits such as those managed by Keith-Albee provided vaudevilles greatest economic innovation and the principal source of its industrial strength. They enabled a chain of allied vaudeville houses that remedied the chaos of the booking system by contracting acts for regional and national tours. These could easily be lengthened from a few weeks to two years, Albee also gave national prominence to vaudevilles trumpeting polite entertainment, a commitment to entertainment equally inoffensive to men, women and children.

Acts that violated this ethos were admonished and threatened with expulsion from the remaining performances or were canceled altogether. Wien — Vienna is the capital and largest city of Austria and one of the nine states of Austria.


Vienna is Austrias primary city, with a population of about 1. Today, it has the second largest number of German speakers after Berlin, Vienna is host to many major international organizations, including the United Nations and OPEC. The city is located in the part of Austria and is close to the borders of the Czech Republic, Slovakia.

Ekstase - Verbotene Träume

These regions work together in a European Centrope border region, along with nearby Bratislava, Vienna forms a metropolitan region with 3 million inhabitants. The citys roots lie in early Celtic and Roman settlements that transformed into a Medieval and Baroque city and it is well known for having played an essential role as a leading European music centre, from the great age of Viennese Classicism through the early part of the 20th century.

The historic centre of Vienna is rich in architectural ensembles, including Baroque castles and gardens, Vienna is known for its high quality of life. In a study of world cities, the Economist Intelligence Unit ranked the city first for the worlds most liveable cities, between and , Vienna was ranked second, behind Melbourne, Australia.

Vienna regularly hosts urban planning conferences and is used as a case study by urban planners. Between and , Vienna was the worlds number-one destination for international congresses and it attracts over 3. The English name Vienna is borrowed from the homonymous Italian version of the name or the French Vienne. The etymology of the name is still subject to scholarly dispute.

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Some claim that the name comes from Vedunia, meaning forest stream, which produced the Old High German Uuenia. A variant of this Celtic name could be preserved in the Czech and Slovak names of the city, the name of the city in Hungarian, Serbo-Croatian and Ottoman Turkish has a different, probably Slavonic origin, and originally referred to an Avar fort in the area.

Slovene-speakers call the city Dunaj, which in other Central European Slavic languages means the Danube River, evidence has been found of continuous habitation since BC, when the site of Vienna on the Danube River was settled by the Celts. In 15 BC, the Romans fortified the city they called Vindobona to guard the empire against Germanic tribes to the north. Theater — The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance.

Modern theatre, broadly defined, includes performances of plays and musical theatre, there are connections between theatre and the art forms of ballet, opera and various other forms.

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The city-state of Athens is where western theatre originated, participation in the city-states many festivals—and mandatory attendance at the City Dionysia as an audience member in particular—was an important part of citizenship. The Greeks also developed the concepts of dramatic criticism and theatre architecture, Actors were either amateur or at best semi-professional.

The theatre of ancient Greece consisted of three types of drama, tragedy, comedy, and the satyr play, the origins of theatre in ancient Greece, according to Aristotle, the first theoretician of theatre, are to be found in the festivals that honoured Dionysus. The performances were given in semi-circular auditoria cut into hillsides, capable of seating 10, the stage consisted of a dancing floor, dressing room and scene-building area. Since the words were the most important part, good acoustics, the actors wore masks appropriate to the characters they represented, and each might play several parts.

Athenian tragedy—the oldest surviving form of tragedy—is a type of dance-drama that formed an important part of the culture of the city-state.

Having emerged sometime during the 6th century BCE, it flowered during the 5th century BCE, no tragedies from the 6th century BCE and only 32 of the more than a thousand that were performed in during the 5th century BCE have survived. We have complete texts extant by Aeschylus, Sophocles, and Euripides, the origins of tragedy remain obscure, though by the 5th century BCE it was institution alised in competitions held as part of festivities celebrating Dionysus.

As contestants in the City Dionysias competition playwrights were required to present a tetralogy of plays, the performance of tragedies at the City Dionysia may have begun as early as BCE, official records begin from BCE, when the satyr play was introduced. More than years later, the philosopher Aristotle analysed 5th-century Athenian tragedy in the oldest surviving work of dramatic theory—his Poetics, Athenian comedy is conventionally divided into three periods, Old Comedy, Middle Comedy, and New Comedy.

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Old Comedy survives today largely in the form of the surviving plays of Aristophanes. New Comedy is known primarily from the papyrus fragments of Menander. Aristotle defined comedy as a representation of people that involves some kind of blunder or ugliness that does not cause pain or disaster. In addition to the categories of comedy and tragedy at the City Dionysia, finding its origins in rural, agricultural rituals dedicated to Dionysus, the satyr play eventually found its way to Athens in its most well-known form. Satyrs themselves were tied to the god Dionysus as his loyal companions, often engaging in drunken revelry.

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Zirkus — The term circus also describes the performance which has followed various formats through its year modern history. Philip Astley is credited with being the father of the circus when he opened the first circus in in England. Early circuses were almost exclusively demonstrations of equestrian skills with a few types of acts to link the horsemanship performances.

Performances developed significantly through the next fifty years, with large scale theatrical battle reenactments becoming a significant feature, as styles of performance have changed since the time of Astley, so too have the types of venues where these circuses have performed.

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The earliest modern circuses were performed in open air structures with limited covered seating, from the late 18th to late 19th century custom-made circus buildings were built with various types of seating, a centre ring, and sometimes a stage. The traditional large tents, commonly known as Big Tops were introduced in the mid 19th century as touring circuses superseded static venues and these tents eventually became the most common venue and remain so to the present day.

Contemporary circuses perform in a variety of venues including tents, theatres, many circus performances are still held in a ring usually 13 m in diameter. This dimension was adopted by Philip Astley in the late 18th century as the minimum diameter that enabled a horse rider to stand upright on a cantering horse to perform their tricks. In the book De Spectaculis early Christian writer Tertullian claimed that the first circus games were staged by the goddess Circe in honour of her father Helios, the modern and commonly held idea of a circus is of a Big Top with various acts providing entertainment therein.

For many, circus history begins with Englishman Philip Astley, while for others its origins go back much further—to Roman times. In Ancient Rome, the circus was a building for the exhibition of horse and chariot races, equestrian shows, staged battles, gladiatorial combat, the Roman circus buildings were, however, not circular but rectangular with semi circular ends.

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