Brandist - - Theory, Culture and Society 13 2: Bakhtin, Young Hegelians, and Dramatic Theory. David Krasner - - In Valerie Z. Mikhail Bakhtin's Body Politic: Between Phenomenology and Marxism.
Bernard-Donals - - Cambridge University Pres. Ecofeminist Theory, Dialogics, and Literary Practice. Murphy - - Hypatia 6 1: The Master and the Slave: Galin Tikhanov - - Oxford University Press. Bakhtin and the Visual Arts.
Haynes - - Cambridge University Press. In a lively introduction Gardiner and Bell discuss Bakhtin's significance as a major intellectual figure and situate his ideas within current trends and developments in social theory. School of Graduate and Postdoctoral Studies.
Smith's feminist perspective on everyday life. The Politics of Jean-Francois Lyotard. Our reading is active, responsive, attentive to possible uses, reactive to what we identify as error, anger sometimes, pleasure sometimes. Writing social science, too, engages actively with the discourse; it references and is in dialogue with our reading. The Rhetorical Foundations Of Society.
Admission Financial Support Program Information. Home Research bookshelf gardiner bookshelf. Michael Gardiner Boredom Studies Reader: Frameworks and Perspectives Boredom Studies is an increasingly rich and vital area of contemporary research that examines the experience of boredom as an importan — even quintessential — condition of modern life. The Dialogics of Critique: Bakhtin and the Theory of Ideology As interest in the work of Bakhtin grows there is an increasing demand for a well organized, readable text which explains his main ideas and relates them to current social and cultural theory.
Essays in Everyday Utopianism This volume explores the connection between two phenomena usually thought to be utterly incongruous, even antithetical: Critiques of Everyday Life Recent years have witnessed a burgeoning interest in the study of everyday life within the social sciences and humanities. In both feminist theory and Shakespearean criticism, questions of sexuality have consistently been conflated with questions of gender.
This book, refusing to adopt this approach, instead details the intersections and contradictions between sexuality and gender in the early modern period. It argues that desire and anxiety constitute the erotic in Shakespearean drama - circu In both feminist theory and Shakespearean criticism, questions of sexuality have consistently been conflated with questions of gender.
It argues that desire and anxiety constitute the erotic in Shakespearean drama - circulating throughout the dramatic texts, traversing masculine and feminine sites, eliciting and expressing heterosexual and homoerotic fantasies, embodiments and fears. Taking heterosexuality and homoeroticism equally seriously, the book presents a non-normalizing account of the unconscious and institutional prerogatives that comprise the erotics of Shakespearean drama.
Employing feminist, psychoanalytic and new historical methods, using each to interrogate the other, the book implements a synthesis of the psychic and the social, the individual and the institutional.
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