Punching Judy

Punching Judy

Filter by post type All posts. Carol The Flu Funny Sorry for the bad quality Tumblr won't let me upload gifs in any higher quality than this. Punching Judy Let's Be Heroes. Born with a pair of boxing gloves on her fists. She also never asks questions. OKKO ok ko let's be heroes punching judy shannon.

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More OK KO doodles! OKKO ok ko let's be heroes punching judy. I'm so sorry that rlly shouldn't have happened I'll do better ok ko ok ko redesign ok ko punching judy. So, uh, about these OK KO female character designs. The bottler might also play accompanying music or sound effects on a drum or guitar, and engage in back chat with the puppets, sometimes repeating lines that may have been difficult for the audience to understand.

In Victorian times, the drum and pan pipes were the instruments of choice. Today, the audience is also encouraged to participate, calling out to the characters on the stage to warn them of danger or clue them in to what is going on behind their backs. Also nowadays, most professors work solo, since the need for a bottler became less important when busking with the show gave way to paid engagements at private parties or public events. The Punch and Judy show has roots in the 16th-century Italian commedia dell'arte.

The figure of Punch is derived from the Neapolitan stock character of Pulcinella , which was anglicized to Punchinello. Punch's wife was originally called "Joan.

The figure who later became Mr. Punch made his first recorded appearance in England on 9 May , which is traditionally reckoned as Punch's UK birthday. It was performed by Italian puppet showman Pietro Gimonde, a. In the British Punch and Judy show, Punch wears a brightly coloured jester 's motley and sugarloaf hat with a tassel.

The performance consists of a sequence of short scenes, each depicting an interaction between two characters, most typically Mr. Library of Congress Catalog Card Number: By using this site, you agree to the Terms of Use and Privacy Policy. They can now be seen at carnivals, festivals, birthday parties, and other celebratory occasions. The Sydney Morning Herald. Punch to look after the baby. James's , Westminster , presenting adaptations of Shakespeare as well as plays by herself, her father Colley Cibber , and her friend Henry Fielding.

He is a hunchback whose hooked nose almost meets his curved, jutting chin. He carries a stick called a slapstick as large as himself, which he freely uses upon most of the other characters in the show. He speaks in a distinctive squawking voice, produced by a contrivance known as a swazzle or swatchel which the professor holds in his mouth, transmitting his gleeful cackle. This gives Punch a vocal quality as though he were speaking through a kazoo.

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So important is Punch's signature sound that it is a matter of some controversy within Punch and Judy circles as to whether a "non-swazzled" show can be considered a true Punch and Judy Show. Other characters do not use the swazzle, so the Punchman has to switch back and forth while still holding the device in his mouth. In the early 18th century, the marionette theatre starring Punch was at its height, with showman Martin Powell attracting sizable crowds at both his Punch's Theatre at Covent Garden and earlier in provincial Bath, Somerset. James's , Westminster , presenting adaptations of Shakespeare as well as plays by herself, her father Colley Cibber , and her friend Henry Fielding.

Fielding eventually ran his own puppet theatre under the pseudonym Madame de la Nash to avoid the censorship concomitant with the Theatre Licensing Act of Punch was extremely popular in Paris and, by the end of the 18th century, he was also playing in Britain's American colonies, where even George Washington bought tickets for a show.

Punch and Judy

However, marionette productions were expensive and cumbersome to mount and transport, presented in empty halls, the back rooms of taverns , or within large tents at England's yearly agricultural events at Bartholomew Fair and Mayfair. In the latter half of the 18th century, marionette companies began to give way to glove-puppet shows, performed from within a narrow, lightweight booth by one puppeteer, usually with an assistant, or "bottler," to gather a crowd and collect money.

These shows might travel through country towns or move from corner to corner along busy London streets, giving many performances in a single day. The character of Punch adapted to the new format, going from a stringed comedian who might say outrageous things to a more aggressive glove-puppet who could do outrageous—and often violent—things to the other characters.

About this time, Punch's wife's name changed from "Joan" to "Judy. The mobile puppet booth of the late 18th- and early 19th-century Punch and Judy glove-puppet show was originally covered in checked bed ticking or whatever inexpensive cloth might come to hand. Later Victorian booths were gaudier affairs, particularly those used for Christmas parties and other indoor performances. In the 20th century, however, red-and-white-striped puppet booths became iconic features on the beaches of many English seaside and summer holiday resorts.

Such striped cloth is the most common covering today, wherever the show might be performed.

How to Draw Punching Judy

A more substantial change came over time to the show's target audience. The show was originally intended for adults, but it changed into primarily a children's entertainment in the late Victorian era. Ancient members of the show's cast ceased to be included, such as the Devil and Punch's mistress "Pretty Polly," when they came to be seen as inappropriate for young audiences.

Punching Judy

The story changes, but some phrases remain the same for decades or even centuries. For example, Punch dispatches his foes each in turn and still squeaks his famous catchphrase: Punch's characteristic sense of gleeful self-satisfaction. Modern British performances of Punch and Judy are no longer exclusively the traditional seaside children's entertainments which they had become.

They can now be seen at carnivals, festivals, birthday parties, and other celebratory occasions. The characters in a Punch and Judy show are not fixed. They are similar to the cast of a soap opera or a folk tale such as Robin Hood: New characters may be added and older characters dropped as the tradition changes. Along with Punch and Judy, the cast of characters usually includes their baby, a hungry crocodile, a clown, an officious policeman, and a prop string of sausages. The cast of a typical Punch and Judy show today will include:. Other characters included Boxers, Chinese Plate Spinners, topical figures, a trick puppet with an extending neck the "Courtier" , and a monkey.

A live Dog Toby was once a regular featured novelty routine, sitting on the playboard and performing 'with' the puppets. Glyn Edwards has likened the story of Punch and Judy to the story of Cinderella. None of these elements can be omitted and the famous story still be told.

The same principle applies to Punch and Judy. Everyone knows that Punch mishandles the baby, that Punch and Judy quarrel and fight, that a policeman comes for Punch and gets a taste of his stick, that Punch has a gleeful run-in with a variety of other figures and takes his stick to them all, that eventually he faces his final foe which might be a hangman, the devil, a crocodile, or a ghost. Edwards contends that a proper Punch and Judy show requires these elements or the audience will feel let down. Peter Fraser writes, "the drama developed as a succession of incidents which the audience could join or leave at any time, and much of the show was impromptu.

Much emphasis is often placed on the first printed script of Punch and Judy, in This is the only surviving script of a performance, and its accuracy is questioned. The performance was stopped frequently to allow Collier and Cruikshank to write and sketch and, in the words of Speaight, Collier is someone of whom "the full list of his forgeries has not yet been reckoned, and the myths he propagated are still being repeated.

His 'Punch and Judy' is to be warmly welcomed as the first history of puppets in England, but it is also sadly to be examined as the first experiment of a literary criminal. The tale of Punch and Judy varies from puppeteer to puppeteer, as previously with Punchinello and Joan, and it has changed over time. Nonetheless, the skeletal outline is often recognizable. It typically involves Punch behaving outrageously, struggling with his wife Judy and the baby, and then triumphing in a series of encounters with the forces of law and order and often the supernatural , interspersed with jokes and songs.

A typical show as performed currently in the UK will start with the arrival of Mr.

Punch, followed by the introduction of Judy. They may well kiss and dance before Judy requests Mr. Punch to look after the baby. Punch will fail to carry out this task appropriately. It is rare for Punch to hit his baby these days, but he may well sit on it in a failed attempt to "babysit", or drop it, or even let it go through a sausage machine.

In any event, Judy will return, will be outraged, will fetch a stick, and the knockabout will commence. A policeman will arrive in response to the mayhem and will himself be felled by Punch's slapstick.

Punch and Judy is a traditional, popular and usually violent puppet show featuring Pulcinella (Mr. Punch) and his wife Judy. The performance consists of a . Punching Judy is a minor hero character who, in the series, made her first appearance in "Let's Be Heroes". It is also known that she was K.O.'s babysitter.

All this is carried out at breakneck farcical speed with much involvement from a gleefully shouting audience. From here on anything goes. Joey the Clown might appear and suggest, "It's dinner time. Punch must look after, although the audience will know that this really signals the arrival of a crocodile whom Mr. Punch might not see until the audience shouts out and lets him know. Punch's subsequent comic struggle with the crocodile might then leave him in need of a Doctor who will arrive and attempt to treat Punch by walloping him with a stick until Punch turns the tables on him.